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The promised Neverland. 1, Grace Field House
\"Emma, Norman, and Ray are the brightest kids at the Grace Field House orphanage. And under the care of the woman they refer to as 'Mom,' all the kids have enjoyed a comfortable life. Good food, clean clothes, and the perfect environment to learn--what more could an orphan ask for? One day, though, Emma and Norman uncover the dark truth of the outside world they are forbidden from seeing\"--Back cover.
Book
Reading bande dessinée
Bande dessinée, or French comic strip, has always provoked controversy--labeled a danger to literacy and moral standards by its detractors, this polarizing art form has at the same time been deemed worthy of prestigious national centers in France and Belgium. Reading Bande Dessinée, the first English-language overview and critical study of this intriguing medium, traces the history and examines the cultural implications of French comics. Ann Miller's groundbreaking book not only parses bande dessinée as visual narrative art, but it shows readers how to study it, as she places these comic strips in the context of debates surrounding the form's legitimization, approaches it from a cultural studies perspective, and examines bande dessinée in its relationship to subjectivity in the body. Miller here illuminates such disparate concepts as Astérix and the mythologizing of Frenchness, historical memory and the Algerian war, and characterizations of the new managerial bourgeoisie in the context of Francophone comic strips. Reading Bande Dessinée will help lay a scholarly foundation for the growing interest in this captivating art form in the Anglophone world. \"[Miller's] analysis ranges from psychoanalytic to Marxist interpretations and is a terrific introduction to this neglected aspect of the comic world.\"--Roger Sabin, Observer \"The characteristics of Ann Miller's writing for me abound in this latest work; concise prose, beautifully crafted sentences, complex analysis illustrated with crystal clear exemplification. This is a work for a wide readership. It is a work for enriching subject knowledge for teachers and students of French and/or the visual arts at advanced levels.\"--Ann Swarbrick, Language Learning Journal \"The work provides both a key analysis for scholars of the bande dessinée, as well as a manual for a modern application of
critical theory.\"--Dr. Laurence Grove, University of Glasgow \"This exceptional work of synthesis by Ann Miller must be applauded. She succeeds in providing a detailed and complete panorama of bande dessinée a cultural phenomenon, an achievement which is all the more remarkable given that the author makes successive use of multiple scholarly approaches, moving from the cultural history of the production and reception of bande dessinée to the theoretical reflections on the medium, the sociological analysis and the problematic of the autobiographical self in graphic literature.\"--Harry Morgan.
eBook
Barnaby. Volume 1. 1942-1943
Harold and the Purple Crayon cartoonist Crockett Johnson's Barnaby revolves around a precocious five-year-old named Barnaby Baxter and his fairly godfather Jackeen J. O'Malley. Yet O'Malley, a cigar-chomping, bumbling con-artist and fast-talker, is not your typical protector. His grasp of magic is usually specious at best, limited to occasional flashes, often aided and abetted by his fellow members in The Elves, Leprechauns, Gnomes, and Little Men's Chowder & Marching Society.
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Comic Book Women
The history of comics has centered almost exclusively on men.
Comics historians largely describe the medium as one built by men
telling tales about male protagonists, neglecting the many ways in
which women fought for legitimacy on the page and in publishers'
studios. Despite this male-dominated focus, women played vital
roles in the early history of comics. The story of how comic books
were born and how they evolved changes dramatically when women like
June Tarpé Mills and Lily Renée are placed at the center rather
than at the margins of this history, and when characters such as
the Black Cat, Patsy Walker, and Señorita Rio are analyzed.
Comic Book Women offers a feminist history of the
golden age of comics, revising our understanding of how numerous
genres emerged and upending narratives of how male auteurs built
their careers. Considering issues of race, gender, and sexuality,
the authors examine crime, horror, jungle, romance, science
fiction, superhero, and Western comics to unpack the cultural and
industrial consequences of how women were represented across a wide
range of titles by publishers like DC, Timely, Fiction House, and
others. This revisionist history reclaims the forgotten work done
by women in the comics industry and reinserts female creators and
characters into the canon of comics history.
eBook
Plummet
\"This. . .graphic novel opens with Mel, an ordinary young woman, inexplicably falling through an infinite expanse of sky. With the initial panic out of the way, she settles into her bizarre new existence: sleeping and relieving herself in midair, using her jacket to glide like a flying squirrel, and scavenging food and water from the mundane detritus and household objects and appliances plummeting around her. \"Do I just keep falling forever?\" she wonders, a question this graphic novel leaves, so to speak, up in the air.\"--Publisher's Weekly.
Book
Autobiographical Comics
A troubled childhood in Iran. Living with a disability. Grieving for a dead child. Over the last forty years the comic book has become an increasingly popular way of telling personal stories of considerable complexity and depth.
InAutobiographical Comics: Life Writing in Pictures, Elisabeth El Refaie offers a long overdue assessment of the key conventions, formal properties, and narrative patterns of this fascinating genre. The book considers eighty-five works of North American and European provenance, works that cover a broad range of subject matters and employ many different artistic styles.
Drawing on concepts from several disciplinary fields--including semiotics, literary and narrative theory, art history, and psychology--El Refaie shows that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of one's self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image. The comics medium also offers memoirists unique ways of representing their experience of time, their memories of past events, and their hopes and dreams for the future. Furthermore, autobiographical comics creators are able to draw on the close association in contemporary Western culture between seeing and believing in order to persuade readers of the authentic nature of their stories.
eBook
Where black stars rise
\"Nadia Shammas and Marie Enger's Where Black Stars Rise is an eldritch horror graphic novel that explores mental illness and diaspora, set in modern-day Brooklyn. Dr. Amal Robardin, a Lebanese immigrant and a therapist in training, finds herself out of her depth when her first client, Yasmin, a schizophrenic, is visited by a nightly malevolent presence that seems all too real. Yasmin becomes obsessed with Robert Chambers' classic horror story collection The King in Yellow. Messages she finds in the book lead Yasmin to disappear, seeking answers she can't find in therapy. Amal attempts to retrace her patient's last steps-and accidentally slips through dimensions, ending up in Carcosa, realm of the King in Yellow. Determined to find her way out, Amal enlists the help of a mysterious guide. Can Amal save Yasmin? Or are they both trapped forever? \"Strange is the night where black stars rise, and strange moons circle through the skies. But stranger still is lost Carcosa...\" -The King in Yellow by Robert W. Chambers\"-- Provided by publisher.
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The System of Comics
This edition of Thierry Groensteen'sThe System of Comicsmakes available in English a groundbreaking work on comics by one of the medium's foremost scholars. In this book, originally published in France in 1999, Groensteen explains clearly the subtle, complex workings of the medium and its unique way of combining visual, verbal, spatial, and chronological expressions. The author explores the nineteenth-century pioneer Rodolphe Töpffer, contemporary Japanese creators, George Herriman's Krazy Kat, and modern American autobiographical comics.
The System of Comics uses examples from a wide variety of countries including the United States, England, Japan, France, and Argentina. It describes and analyzes the properties and functions of speech and thought balloons, panels, strips, and pages to examine methodically and insightfully the medium's fundamental processes.
From this, Groensteen develops his own coherent, overarching theory of comics, a \"system\" that both builds on existing studies of the \"word and image\" paradigm and adds innovative approaches of his own. Examining both meaning and appreciation, the book provides a wealth of ideas that will challenge the way scholars approach the study of comics. By emphasizing not simply \"storytelling techniques\" but also the qualities of the printed page and the reader's engagement, the book's approach is broadly applicable to all forms of interpreting this evolving art.
Thierry Groensteen is a comics scholar and translator in Brussels, Belgium. He is the author ofLa bande dessinée: Une littérature graphiqueandLa construction de la cage, among other books. Bart Beaty is associate professor of communication and culture at the University of Calgary. Nick Nguyen is an archivist at Library and Archives Canada, in Ottawa, Ontario.
eBook
Venom. Carnage unleashed
\"When the video game 'Carnage Unleashed' becomes a hit, it provides the psychopathic Cletus Kasady with the opportunity to gain his freedom -- and renew his sadistic reign of terror on the streets! The only way to stop a bad symbiote? A good(ish) symbiote! Blood will flow as Venom takes on Carnage! Then, when killer vigilante Sin-Eater strikes, Eddie Brock's ex-wife is caught in the crossfire. To survive, must she become the bride of Venom?\"--Back cover.
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Comics and Language
It has become an axiom in comic studies that \"comics is a language, not a genre.\" But what exactly does that mean, and how is discourse on the form both aided and hindered by thinking of it in linguistic terms? InComics and Language, Hannah Miodrag challenges many of the key assumptions about the \"grammar\" and formal characteristics of comics, and offers a more nuanced, theoretical framework that she argues will better serve the field by offering a consistent means for communicating critical theory in the scholarship. Through engaging close readings and an accessible use of theory, this book exposes the problems embedded in the ways critics have used ideas of language, literature, structuralism, and semiotics, and sets out a new and more theoretically sound way of understanding how comics communicate.
Comics and Language
Comics and Language
eBook